Pier Paolo Pasolini’s controversial film “Salò, or the 120 Days of Sodom” is a fascist parable set in Nazi-occupied Italy in 1944. The film depicts the horrifying acts of degradation and depravity perpetrated by The Libertines, a group of despots, on a group of teenagers. Pasolini’s intention was to express his disgust at the modern world and the erasure of culture caused by corporate takeovers and mass marketing. The film is a meditation on cruelty and power, and explores themes of depersonalization, fascism, and the commercialization of society. “Salò” remains reviled and banned in many countries, in part due to its graphic content and the disturbing nature of the acts depicted. Despite the controversy, the film is seen as a work of art with its lavish production values, costumes, and dark humor.
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