Paul Newman’s performance as Hud in the film of the same name was captivating and complex, despite his character’s lack of redeeming qualities. Director Martin Ritt skillfully juxtaposed Newman’s sex appeal with the character’s internal desolation through cinematography. Hud’s relationships with his nephew Lonnie and housekeeper Alma revealed the depths of his character and his ability to manipulate others. The article explores the contrast between Newman’s outward charm and the troubled nature of the character he portrayed. The relationship between Hud and Lonnie, as well as the dynamic between Hud and Alma, is also analyzed.
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