Not a lot of movies can claim a three-decade development process, but long before Joel Schumacher took the reins of the 2003 single-location thriller Phone Booth, Alfred Hitchcock was trying to make it in the ’60s. When long-time screenwriter and B-movie director Larry Cohen pitched Hitchcock on the idea of a movie set completely in a phone booth, the pair struggled to put together a compelling reason that a protagonist would be stuck for the length of a movie. Eventually, Cohen came up with a sniper angle for the story. Despite a troubled production and multiple director and star changes, Phone Booth turned out to be an impressive thriller with a great cast.
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